Robert
Browning
Robert
BrowningRobert Browning (May 7, 1812 – December 12, 1889) was
an English poet and playwright.
Robert Browning
was born in Camberwell, England, on May 7, 1812, the first son of Robert
and Sarah Wiedemann Browning. His father was a man of fine intellect
and equally fine character, who worked as a well-paid clerk in the Bank
of England and so managed to amass a library of around 6,000 books —
many of them highly obscure and arcane. Thus Robert was raised in a
household with good literary resources. His mother, to whom he was ardently
attached, was a devout Nonconformist, the daughter of a German shipowner
who had settled in Dundee, and was alike intellectually and morally
worthy of his affection. The only other member of the family was a younger
sister, also highly gifted, who was the sympathetic companion of his
later years. They lived simply, but his father encouraged Robert's interest
in literature and the arts.
In his childhood
he was distinguished by his love of poetry and natural history. At 12
he had written a book of poetry which he destroyed when he could not
find a publisher. After being at one or two private schools, and showing
an insuperable dislike to school life, he was educated by a tutor.
He was a rapid learner
and by the age of fourteen was fluent in French, Greek, Italian, and
Latin as well as his native English. He became a great admirer of the
Romantic poets, especially Shelley. In imitation of the latter, he briefly
became an atheist and a vegetarian, but in later life he looked back
on this as a passing phase. At age sixteen he attended University College,
London, but dropped out after his first year.
Through his mother
he inherited some musical talent, and composed settings, for various
songs. His grandmother also was of Creole blood. Thomas Chase wrote
of Browning's skin complexion as dark, and his hair as curly. The same
went for his Jamaican English born wife, Elizabeth Barrett.
Robert BrowningIn
May 1833, Browning's Pauline: A Fragment of a Confession was published
anonymously by Saunders and Otley, in many ways a vanity publication
financed by his family, and this marked the beginning of his career
as a poet. A lengthy confessional poem, it was intended by its young
author to be merely one of a series of works produced by various fictitious
versions of himself (the poet, the composer, etc.), but Browning abandoned
the larger project. He was much embarrassed by Pauline in later life,
contributing a somewhat contrite preface to the 1868 edition of his
Collected Poems asking for his readers' indulgence when reading what
in his eyes was practically a piece of juvenilia, before undertaking
extensive revisions to the poem in time for the 1888 edition, with the
remark "twenty years' endurance of an eyesore seems long enough".
In 1834, he paid
his first visit to Italy, in which so much of his future life was to
be passed.
In 1835, Browning
wrote the lengthy dramatic poem Paracelsus, essentially a series of
monologues spoken by the Swiss doctor and alchemist Paracelsus and his
friends. Published under Browning's own name, in an edition financed
by his father, the poem was a small commercial and critical success
and gained the notice of Carlyle, Wordsworth, and other men of letters,
giving him a reputation as a poet of distinguished promise. Around this
time the young poet was very much in demand in literary circles for
his ready wit and flamboyant sense of style, and he embarked upon two
ill-considered ventures: a series of plays for the theatre, all of which
were dismally unsuccessful and none of which are much remembered today,
and Sordello, a very lengthy poem in rhymed pentameter and loosely drawing
upon a historical character who also (briefly) appears in Dante's Divine
Comedy. Set against the backdrop of the conflict between the Guelphs
and Ghibellines, Sordello was already difficult to understand for a
Victorian audience that was accustomed to the annotation in historical
fiction. Browning's syntax, style and - perhaps most of all - his plot
made an already confusing subject virtually incomprehensible and the
young poet became the butt of a number of satirical quips, such as Mrs.
Carlyle's celebrated comment that she had read the entire thing through
without being able to work out whether Sordello was a man, a city or
a book. The effect on Browning's career was catastrophic, and he would
not recover his good public standing — and the good sales that
accompanied it — until the publication of The Ring and the Book
nearly thirty years later.
Throughout the early
1840s he continued to publish volumes of plays and shorter poems, under
the general series title Bells and Pomegranates. Although the plays,
with the exception of Pippa Passes — in many ways more of a dramatic
poem than an actual play — are almost entirely forgotten, the
volumes of poetry (Dramatic Lyrics, first published in 1842, and 1845's
Dramatic Romances and Lyrics) are often considered to be among the poet's
best work, containing many of his most well-known poems. Though much
admired now, the volumes were largely ignored at the time in the wake
of the Sordello debacle.
Marriage
In early 1845, Browning began corresponding with Elizabeth Barrett,
a semi-invalid, and the two conducted a secret courtship away from the
eyes of her domineering father before marrying in secret in 1846 - a
union of ideal happiness - and eloping to Italy. Their son, the painter
and critic Robert Wiedemann Browning, known to the family as "Pen",
was born in Florence in 1849. The Brownings continued to write and publish
poetry from their Italian home throughout the 1850s, with Elizabeth
far outshadowing Robert in both critical and commercial reception. Robert
Browning's first published work since marriage was the lengthy religious
piece Christmas-Eve and Easter-Day, published in 1850. Men and Women,
a series of fifty dramatic poems recited by fifty different fictional
and historical characters, with a fifty-first, "One Word More",
featuring Browning himself as the narrator and dedicated to his wife,
was published in 1855. Men and Women — its title taken from a
line in his wife's Sonnets from the Portuguese — is generally
considered his most successful collection by modern critics, and many
have singled it out as one of the finest books published in Victorian
England, but the collection elicited little response when first published
and sales remained poor.
Following Elizabeth's
death in 1861, Browning and his son returned to London, paying, however,
frequent visits to Italy. When his first new work in nine years, Dramatis
Personae, was published in 1864, Browning's reputation was undergoing
a critical and popular re-evaluation; a collected edition of his poetry
published the previous year had sold reasonably well, as had a number
of volumes of selected poems. Dramatis Personae was a collection of
eighteen poems, many of which were somewhat darker in tone than those
found in Men and Women, the central theme again being dramatic poems
narrated by historical, literary and fictional characters. The religious
controversies of the time, as well as the depiction of marital distress,
increasingly came to the fore of Browning's work. Dramatis Personae
was the first volume of Browning poetry to sell well enough to merit
a second edition, though sales were still hardly spectacular. His literary
status was recognised by the award of an honorary fellowship at Balliol
College, Oxford in 1867.
Late success
In 1868, Browning finally completed and published the long blank verse
poem The Ring and the Book, which would finally make him rich, famous
and successful, and which ensured his critical reputation among the
first rank of English poets. Based on a convoluted murder case from
1690s Rome, the poem is composed of twelve volumes, essentially comprising
ten lengthy dramatic poems narrated by the various characters in the
story showing their individual take on events as they transpire, bookended
by an introduction and conclusion by Browning himself. Extraordinarily
long even by Browning's own standards (over twenty thousand lines),
The Ring and the Book was the poet's most ambitious project and has
been hailed as a tour de force of dramatic poetry. Published separately
in four volumes from November 1868 through to February 1869, the poem
was a huge success both commercially and critically, and finally brought
Browning the renown he had sought and deserved for nearly thirty years
of work.
1882 Caricature
from PunchWith his fame and fortune secure, Browning again became the
prolific writer he had been at the start of his career. In the remaining
twenty years of his life, as well as travelling extensively and frequenting
London literary society again, he managed to publish no less than fifteen
new volumes. None of these later works gained the popularity of The
Ring and the Book, and they are largely unread today. However, Browning's
later work has been undergoing a major critical re-evaluation in recent
years, and much of it remains of interest for its poetic quality and
psychological insight. After a series of long poems published in the
early 1870s, of which Fifine at the Fair and Red Cotton Night-Cap Country
were the best-received, Browning again turned to shorter poems. The
volume Pacchiarotto, and How He Worked in Distemper included a spiteful
attack against Browning's critics, especially the later Poet Laureate
Alfred Austin. In 1887, Browning produced the major work of his later
years, Parleyings with Certain People of Importance In Their Day. It
finally presented the poet speaking in his own voice, engaging in a
series of dialogues with long-forgotten figures of literary, artistic,
and philosophic history. Once more, the Victorian public was baffled
by this, and Browning returned to the short, concise lyric for his last
volume, Asolando (1889).
According to some
reports Browning became romantically involved with Lady Ashburton in
the 1870s, but did not re-marry. In 1878, he returned to Italy for the
first time since Elizabeth's death, and returned there on several occasions.
He died at his son's home Ca' Rezzonico in Venice on 12 December 1889,
the same day Asolando was published, and was buried in Poets' Corner
in Westminster Abbey; his grave now lies immediately adjacent to that
of Alfred Tennyson.
Robert Browning
- Biography
Glenn Everett, Associate Professor of English, University of Tennessee
at Martin
Robert Browning
was born on May 7, 1812, in Camberwell (a suburb of London), the first
child of Robert and Sarah Anna Browning. His mother was a fervent Evangelical
and an accomplished pianist. Mr. Browning had angered his own father
and forgone a fortune: the poet's grandfather had sent his son to oversee
a West Indies sugar plantation, but the young man had found the institution
of slavery so abhorrent that he gave up his prospects and returned home,
to become a clerk in the Bank of England. On this very modest salary
he was able to marry, raise a family, and to acquire a library of 6000
volumes. He was an exceedingly well-read man who could recreate the
seige of Troy with the household chairs and tables for the benefit of
his inquisitive son.
Indeed, most of
the poet's education came at home. He was an extremely bright child
and a voracious reader (he read through all fifty volumes of the Biographie
Universelle ) and learned Latin, Greek, French and Italian by the time
he was fourteen. He attended the University of London in 1828, the first
year it opened, but left in discontent to pursue his own reading at
his own pace. This somewhat idiosyncratic but extensive education has
led to difficulties for his readers: he did not always realize how obscure
were his references and allusions.
In the 1830's he
met the actor William Macready and tried several times to write verse
drama for the stage. At about the same time he began to discover that
his real talents lay in taking a single character and allowing him to
discover himself to us by revealing more of himself in his speeches
than he suspects-the characteristics of the dramatic monologue. The
reviews of Paracelsus (1835) had been mostly encouraging, but the difficulty
and obscurity of his long poem Sordello (1840) turned the critics against
him, and for many years they continued to complain of obscurity even
in his shorter, more accessible lyrics.
In 1845 he saw Elizabeth
Barrett's Poems and contrived to meet her. Although she was an invalid
and very much under the control of a domineering father, the two married
in September 1846 and a few days later eloped to Italy, where they lived
until her death in 1861. The years in Florence were among the happiest
for both of them. Her love for him was demonstrated in the Sonnets from
the Portugese, and to her he dedicated Men and Women, which contains
his best poetry. Public sympathy for him after her death (she was a
much more popular poet during their lifetimes) surely helped the critical
reception of his Collected Poems (1862) and Dramatis Personae (1863).
The Ring and the Book (1868-9), based on an "old yellow book"
which told of a Roman murder and trial, finally won him considerable
popularity. He and Tennyson were now mentioned together as the foremost
poets of the age. Although he lived and wrote actively for another twenty
years, the late '60s were the peak of his career. His influence continued
to grow, however, and finally lead to the founding of the Browning Society
in 1881. He died in 1889, on the same day that his final volume of verse,
Asolando, was published. He is buried in Poet's Corner of Westminster
Abbey.
Robert Browning
was born on May 7, 1812, in Camberwell, England. His mother
was an accomplished pianist and a devout evangelical Christian. His
father, who worked as a bank clerk, was also an artist, scholar, antiquarian,
and collector of books and pictures. His rare book collection of more
than 6,000 volumes included works in Greek, Hebrew, Latin, French, Italian,
and Spanish. Much of Browning's education came from his well-read father.
It is believed that he was already proficient at reading and writing
by the age of five. A bright and anxious student, Browning learned Latin,
Greek, and French by the time he was fourteen. From fourteen to sixteen
he was educated at home, attended to by various tutors in music, drawing,
dancing, and horsemanship. At the age of twelve he wrote a volume of
Byronic verse entitled Incondita, which his parents attempted, unsuccessfully,
to have published. In 1825, a cousin gave Browning a collection of Shelley's
poetry; Browning was so taken with the book that he asked for the rest
of Shelley's works for his thirteenth birthday, and declared himself
a vegetarian and an atheist in emulation of the poet. Despite this early
passion, he apparently wrote no poems between the ages of thirteen and
twenty. In 1828, Browning enrolled at the University of London, but
he soon left, anxious to read and learn at his own pace. The random
nature of his education later surfaced in his writing, leading to criticism
of his poems' obscurities.
In 1833, Browning
anonymously published his first major published work, Pauline, and in
1840 he published Sordello, which was widely regarded as a failure.
He also tried his hand at drama, but his plays, including Strafford,
which ran for five nights in 1837, and the Bells and Pomegranates series,
were for the most part unsuccessful. Nevertheless, the techniques he
developed through his dramatic monologues—especially his use of
diction, rhythm, and symbol—are regarded as his most important
contribution to poetry, influencing such major poets of the twentieth
century as Ezra Pound, T. S. Eliot, and Robert Frost.
After reading Elizabeth
Barrett's Poems (1844) and corresponding with her for a few months,
Browning met her in 1845. They were married in 1846, against the wishes
of Barrett's father. The couple moved to Pisa and then Florence, where
they continued to write. They had a son, Robert "Pen" Browning,
in 1849, the same year his Collected Poems was published. Elizabeth
inspired Robert's collection of poems Men and Women (1855), which he
dedicated to her. Now regarded as one of Browning's best works, the
book was received with little notice at the time; its author was then
primarily known as Elizabeth Barrett's husband.
Elizabeth Barrett
Browning died in 1861, and Robert and Pen Browning soon moved to London.
Browning went on to publish Dramatis Personae (1863), and The Ring and
the Book (1868). The latter, based on a seventeenth-century Italian
murder trial, received wide critical acclaim, finally earning a twilight
of reknown and respect in Browning's career. The Browning Society was
founded while he still lived, in 1881, and he was awarded honorary degrees
by Oxford University in 1882 and the University of Edinburgh in 1884.
Robert Browning died on the same day that his final volume of verse,
Asolando, was published, in 1889.